a. ferris wheel scene, chris yeo’s in the house of straw, 2010
b. photo i took at dawn, singapore river, 2007
c. gaspar noe’s enter the void, 2009
I first saw the phrase “Blue Hour” thrown around in photography forums such as like skyscrapercity, but for quite some time I always thought it was some internationally franchised club that happened to set up shop at locations with magnificient aerial views of different urban cities.
This was largely due to the odd way in which it is sometimes spoken about, almost as if the Blue Hour is actually a physical space and not a time of day.
Absolute Giganten is the story of the other side, but also from the Blue Hour. It is about a boy about to sail from Hamburg to Singapore, never to see his friends again. On the last night, on hearing the news, they are determined to have the best night ever. After a terrifying, epic night, they spend the last morning together, wordlessly, silently, drifting off to sleep just as the day approaches. A story about leaving is often also a story about where you came from.










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